Final Cut Pro X 10.4.23

Final Cut Pro
Name:Final_Cut_Pro_10.4.3_MAS__TNT
Size:2.75 GB
FilesFinal_Cut_Pro_10.4.3_MAS__TNT.zip (2.75 GB)
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Final Cut Pro X 10.4.23 MAS – Mac OS X

Completely redesigned from the ground up , Final Cut Pro combines a revolutionary video editing with better organization of content and outstanding performance to create an unmatchable speed.

Revolutionary Video Editing
• Version 2 of the magnetic timeline uses advanced metadata for faster and easier than with traditional editing tracks.
• Use connections clip to attach additional footage, sound effects and music to the timeline.
• Group clips in a clip compound to be better organized.
• Edit multicamera projects with automatic sync based on audio waves up to 64 camera angles.
• Import and edit video 360 ° Equirectangular in many formats and frame sizes.

Advanced content organization
• Automatic content analysis captures camera metadata and analyzes images in the background.
• Create and apply custom keywords or bookmarks instantly as you select intervals clips.
• Smart collections organize content dynamically to find any image.

Incredible performance
• Final Cut Pro uses all Mac GPU for superior performance real – time playback and fast rendering in the background.
• The 64 – bit architecture uses all the RAM to work on larger projects.
• The background processing allows you to work without interruption.
• Work natively with a wide range of formats such as ProRes, RED, XAVC, AVCHD or H.264 DSLR.

Amazing and customizable effects
• 2D and 3D Titles easily customizable and with great animations.
• Choose from a variety of third – party FxPlug modules with custom interfaces.

Integrated audio editing
• Assign functions (dialogue, music, effects and custom options) during import to monitor and organize the project.
• Final Cut Pro editing audio problems.
• Sync DSLR video with separate audio and instant adjustment waves.

Intuitive color gradation
• Import, edit and distribute videos with standard color space or color space Rec. 2020.
• Improve clips with “Color Balance”.
• Finely adjust the color of an area of the screen with modulations and masks.
• Use curves and color wheels for precise adjustments and masks modulations.

Output optimized in one step
• Export projects to Apple devices quickly and sites like Vimeo, YouTube and Facebook.
• Add content to themed menus and burn a DVD or Blu-ray.
• Import and export XML (for color grading and sound mixing, for example).

System Requirements: macOS 10.12.4 or later, 4 GB of RAM (8 GB for 4K video titles in 3D and 360 °), graphics card compatible with OpenCL GPU card or Intel HD Graphics 3000 (or later), 256 MB of VRAM (1 GB 4K, 3D and video titles 360 °), 4GB of available disk space.

New in version 10.4
Editing virtual reality 360 °
• Import and edit video 360 ° Equirectangular in many formats and frame sizes.
• Send video 360 connected to a VR glasses. *
• Open the viewer 360 to display the Equirectangular view and editing glasses.
• Track the movement of VR glasses on the viewer 360 in Final Cut Pro.
• 360 ° Add effects, such as blurs and shimmers.
• Share 360 video on YouTube, Facebook and Vimeo.
• Use the correction of 360 ° to remove the instant cameras and equipment from the scene.
• Use the Horizon overlay to easily change the orientation video 360 ° in the display.
• Edit video 360 ° on a project than 360 ° and anime zoom, tilt and pan.
• Place any graphics, still image or video in a project of 360 ° and change its position and size to fit perfectly into the scene of 360 °.
• Support monoscopic and stereoscopic video 360 °.

Advanced color gradation
• The tab includes specific colors inspector all color controls in one place.
• Powerful new control wheels improve traditional wheels with integrated regulators to adjust the hue, saturation and brightness.
• The color curves allow adjustments with great accuracy by several checkpoints to change the color and contrast.
• curves hue / saturation allow you to select a level of hue or brightness to make adjustments without changing other parts of the image.
• Use the eyedropper in the curves of color and hue / saturation to quickly take samples of parts of an image to make adjustments.
• The “Color Balance” command includes an eyedropper to manually perform white balance.
• Apply custom LUT known sites and apps gradation of color.
• Adjust color corrections in time with precise keyframe controls.
• Streamline color correction with new keyboard shortcuts for adjusting colors and navigating the timeline – based functions.
• The color presets are now in the effects browser, which enables quick searches and previews.

High dynamic range
• Import, edit and publish video HDR as Rec. 2020 HLG or Rec. 2020 PQ for HDR10.
• Send HDR video to display devices using third – party E / S third.
• The integrated monitoring indicates waves HDR brightness levels up to 10,000 nits.
• The “Tools HDR” effect facilitates tone mapping HDR output to standard dynamic range (SDR) as well as conversion between the PQ and HLG formats.
• Option to see HDR as uncompressed values when working without an HDR monitor.

additional features
• Send your iMovie for iOS project directly to Final Cut Pro to use advanced editing features, audio and finishing.
• Import, play and edit video clips in HEVC format (also known as H.265) format HEIF and photos on Apple devices. **
• Send content to Compressor to export video projects HEVC format.
• Adjust audio effects modules Logic Pro X with redesigned and resizable interfaces.
• Support Format RAW Light Cinema Canon Canon additional software.
• Analysis of optical flow faster with Metal 2.
• Compatibility libraries and NFS – based content.
• XML 1.7 with support for new color grading controls, effects of VR 360 ° and HDR.

* Requires compatible VR glasses, macOS High Sierra and SteamVR.
** Support for HEVC and HEIF requires macOS High Sierra.

New in version:
• Support for viewing and editing RAW files ProRes drone DJI Inspire 2 D-Log adjustment of DJI.
• Correct disposal of unused files rendering a composite clip in the browser.
• Solving a problem that caused some video files from Panasonic P2 were imported with mixed audio channels.

 

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